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Betrayed by his club but beloved by the fans, former Chelsea manager Claudio Ranieri was a constant headline-maker in 2004. Occasionally puzzling, often eccentric, but always fascinating and refreshing, the Italian describes the highs and lows of an extraordinary season at Stamford Bridge – and the dramatic end to his English journey.‘Hello, my sharks. Welcome to the funeral.’‘People have said I am a dead man walking – but I am still moving!’‘Tonight I am a crazy man and Roman Abramovich is also going mad like me!’We rejoiced with him. We laughed with him. And we cried with him. In what turned out to be a year for the Blues resembling more a soap opera than a season of football, Claudio Ranieri reveals the highlights and the hurt of his farewell twelve months in England.This collaboration between Italian journalist Massimo Marianella and Ranieri promises to reveal the inside story of a rollercoaster year at Stamford Bridge, with a first-hand account of coaching the most expensively assembled team in the Premiership, alongside the increasing pressures of satisfying his bosses as Chelsea’s season threatened to turn into anticlimax.How did Ranieri keep all his players contented, when the value of his subs bench often exceeded that of most Premiership teams? What were the skills required to mould a group of exciting individuals into a team capable of challenging the likes of Arsenal and Manchester United at the top of the tree?With the media suggesting an uneasy alliance between Ranieri and Roman Abramovich, what was it that drove their complex relationship? What was the real truth behind the allegations that Ranieri’s position was being undermined by his bosses? And when did the ‘Tinkerman’ discover his final denouement?Just some of the questions that will be answered in this book by arguably the most talked-about man in English football in 2004.
‘Now when I hear birdsong, I feel an entry to that understory. When I am feeling too squeezed on the ground, exhausted by everything in my care, I look for a little sky. There are always birds flying back and forth, city birds flitting around our human edges, singing their songs.’One winter, Kyo Maclear became unmoored. Her father had recently fallen ill and she suddenly found herself lost for words. As a writer, she could no longer bring herself to create; her work wasn’t providing the comfort and meaning that it had before.But then Kyo met a musician who loved birds. The musician felt he could not always cope with the pressures and disappointments of being an artist in a big city. When he watched birds and began to photograph them, his worries dissipated. Intrigued, Kyo found herself following the musician for a year, accompanying him on his birdwatching expeditions; the sounds of birds in the city reminded them both to look outwards at the world.Intricate and delicate as birdsong, Birds Art Life Death asks how our passions shape and nurture us, and how we might gain perspective, overcome our anxieties and begin to cherish the urban wild spaces where so many of us live.
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