Книги, похожие на «Zukiswa Wanner, The Madams»

www.TheOriginalHeatherGraham.comMurdered by a dead man? A woman named Maria Gomez is murdered in Miami, apparently by her husband–who'd been presumed dead, slain by a crime boss. FBI agent Brett Cody can't believe it; dead or alive, the man had loved his wife. He also can't help feeling guilty, since he was responsible for protecting Miguel and Maria Gomez.A few miles away, Lara Mayhew has just begun working at a dolphin research facility. She loves her new job–until a dolphin brings her something unexpected from the deep. A human hand. More body parts show up, and when Brett looks into the situation, he discovers that the dismembered corpse is Miguel's.Soon, rumors of crazed zombies abound in the Miami media, and the Krewe of Hunters, an elite FBI unit of paranormal investigators, is called in. Brett and Lara find themselves working with the Krewe–and working closely together. An elderly crime boss who's losing his memory seems to be key to solving this case, but…there's no motive. Unless Brett and Lara can uncover one in the Miami underworld. And that means they have to protect themselves. And each other.

From one of the brightest young chroniclers of US culture comes this dazzling collection of essays on the internet, the self, feminism and politicsWe are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape.From the rise of the internet to her own appearance on an early reality TV show; from her experiences of ecstasy – both religious and chemical – to her uneasy engagement with our culture’s endless drive towards ‘self-optimisation’; from the phenomenon of the successful American scammer to her generation’s obsession with extravagant weddings, Jia Tolentino writes with style, humour and a fierce clarity about these strangest of times.Following in the footsteps of American luminaries such as Susan Sontag, Joan Didion and Rebecca Solnit, yet with a voice and vision all her own, Jia Tolentino writes with a rare gift for elucidating nuance and complexity, coupled with a disarming warmth. This debut collection of her essays announces her exactly the sort of voice we need to hear from right now – and for many years to come.