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Janice Hadlow
An intensely moving account of George III’s doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer.George III came to the throne in 1760 as a man with a mission. He wanted to be a new kind of king, one whose power was rooted in the affection and approval of his people. And he was determined to revolutionise his private life too – to show that a better man would, inevitably, make a better ruler. Above all he was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian forbears. For his family, things would be different.And for a long time it seemed as if, against all the odds, his great family experiment was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they did everything they could to raise their tribe of 13 young sons and daughters in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. The king's episodes of madness, in which he frequently expressed his repulsion for the queen, undermined the bedrock of their marriage; his disapproving distance from the bored and purposeless princes alienated them; and his determination to keep the princesses at home, protected from the potential horrors of the continental marriage market, left them lonely, bitter and resentful at their loveless, single state.At one level, ‘The Strangest Family’ is the story of how the best intentions can produce unhappy consequences. But the lives of the women in George's life – and of the princesses in particular – were shaped by a kind of undaunted emotional resilience that most modern women will recognise. However flawed George's great family experiment may have been, in the value the princesses placed on the ideals of domestic happiness, they were truly their father's daughters.
Andrew Taylor
The true story of Gerard Mercator, the greatest map-maker of all time, who was condemned to death as a heretic.‘Geographie and Chronologie I may call the Sunne and the Moone, the right eye and the left, of all history.’In ‘The World of Gerard Mercator’, Andrew Taylor chronicles both the story of a great astronomer and mathematician, who was condemned to death as a heretic, and the history of that most fascinating conjunction of science and art: the drawing of maps. Gerard Mercator was born in Flanders in 1512. In addition to creating accurate globes of the earth and the stars, he was the first person to use latitude and longitude for navigation and he created the most-used map of all time: Mercator’s Projection is still the standard view of the world, the one we all envisage when we think of a map of the globe. Simply finding the best solution to the impossible challenge of reproducing the spherical world on a flat sheet of paper was a considerable achievement in itself – something geographers and map-makers had been trying to do for centuries, but Mercator also created the map of the world that would form the basis of the modern age, an image of the continents for the common man.Until Mercator’s Projection, maps offered a pictorial encyclopaedia to an illiterate world, and that world stretched far beyond the knowledge and travels of most mapmakers. It is this evolution of mapmaking from art to science that forms the backdrop to the story of Mercator, from the days of Herodotus and Strabo when fabulous creatures were supposed to inhabit the fringes of the world to the great mappae mundi of Hereford and Ebsdorf. The Greek geographer Pytheas claimed to have visited the far north of Britain to establish the limits of the habitable world; but further north, he claimed that the earth, air and sea coalesced into a jellyfish-like gelatinous suspension that made life impossible.‘The World of Gerard Mercator’ is a brilliantly readable and absolutely fascinating history for the general reader, describing how our worldview came into being.
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