Книги, похожие на «Hilary Mantel, Wolf Hall & Bring Up the Bodies: RSC Stage Adaptation - Revised Edition»

Appearances can be…Deadly! And this was a lesson Ash Kelly, explosives expert for ONYXX, should have learned long ago. For though he's more than lived down his past–as son of the world's most renowned drug lord–he once again has to pretend to be in the business. All in a day's work.But he knows what his story is. Which leaves him with the question of Jazmin Grant. Who is this beautiful Frenchwoman, and who does she work for? And why, despite every indication that she works for the Chameleon, do sparks fly every time they're together?Well, he is an explosives expert, after all….

Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness. Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. Like ”action painting”, I could have called it ”literature in action”, but it would have been to distort the nature of the project, which was a work in progress, a dynamic entity, an evolving process, a writing on the go, a progressive writing. I never had a predetermined plan and the categorization was later, but the invocations of the four classic elements influenced underground in the structure of the work.The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness.