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A little finger isn’t properly dressed without a man wrapped round it…Clothing connoisseur Coreen Fraser’s film-star style never leaves her wanting for male attention! But sourcing outfits for a 1930s murder-mystery weekend stops being fun when she discovers she has to wear a tweed suit and sensible shoes! Meanwhile Coreen’s best friend Adam Conrad has his own plans for the weekend…And one moonlit kiss later Coreen’s blinkers fall from her eyes. Adam is the only man who knows the girl underneath the skyscraper heels and scarlet lipstick. But is she brave enough to invite him to kiss it off any time he likes…?
The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
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