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I’m on a train. I don’t know which stop I got on at; I only know the train is going fast and the world outside becomes a blur. I should get off, but I don’t.The universe is playing a cosmic joke on me. Here I had my life – a good life with everything a woman could want – and suddenly, there is something more I didn’t know I could have. A chance for me to be satisfied and content and maybe even on occasion deliriously, amazingly, exuberantly fulfilled.So this is where I am, on a train that’s out of control, and I am not just a passenger. I’m the one shovelling the furnace full of coal to keep it going fast and faster. If I could make myself believe it all happened by chance and I couldn’t help it, that I’ve been swept away, that it’s not my fault, that it’s fate… would that be easier? The truth is, I didn’t know I was looking for this until I found Will, but I must’ve been, all this time.And now it is not random, it is not fate, it is not being swept away.This is my choice.And I don’t know how to stop.Or even if I want to.
From Doris Lessing, winner of the Nobel Prize for Literature, the sequel to one of her most celebrated novels, ‘The Fifth Child’.‘The Fifth Child’, Doris Lessing’s 1988 novel, made a powerful impact on publication. Its account of idyllic marital and parental bliss shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading.That child, Ben, is the central character of this sequel, which picks up the fable at the end of his childhood and takes our primal, misunderstood, maladjusted teenager out into the world. He meets mostly with mockery, fear and incomprehension, but with just enough kindness and openness to keep him afloat as his adventures take him from London to the south of France and on to South America in his restless quest for community, companionship and peace.Lessing employs a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehension swirls around at the edge, while, occasionally, a strong character steps forward to try to set a good example.
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