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Fern Britton
From Sunday Times bestselling author Fern Britton comes an epic tale. Three generations of women, their lives, their loves and their longing to come home to Cornwall.‘A heartfelt novel about family secrets and atonement’ Fanny Blake, Woman & Home Three women. A lifetime of secrets. The only place to be is home.Ella comes back to the beautiful Cornish coast to heal her heart after the death of her beloved grandmother, Adela. There she finds her home again and discovers a new life, but she also opens a treasure trove of secrets.Twenty years ago Ella’s mother Sennen ran away from Cornwall. Sennen had been a young single mum and, unable to cope, had left their children with her mother Adela…and a part of her with them. She’s spent the years since hiding from her past, hiding from herself.Now it’s time to come back to Cornwall. To face her mistakes. To pray for forgiveness. And to hope for a future with her long-lost daughter and son. Will she be welcomed back with open hearts?They say home is where the heart is. It’s time to come home…Pendruggan: A Cornish village with secrets at its heart
Пенни Джордан
She didn't ask to be rescued. Beatrice's half sister had done a lot of crazy things, but inviting Elliott Chalmers to temporarily share their home while his was being renovated – that was the limit! Everyone knew that Beatrice and Elliott had never seen eye to eye over her dedication to her orphaned siblings. He'd even nicknamed her "Cinders. "Well, handsome prince or no, she hadn't invited him to interfere. And although silently grateful for the added household discipline, Beatrice drew the line where Elliott seemed most intent on crossing – her personal life!
Дорис Лессинг
The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
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