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Jonathan Franzen's ‘The Corrections’ was the best-loved and most written-about novel of 2001. Nearly every in-depth review of it discussed what became known as 'The Harper's Essay,' Franzen's controversial 1996 look at the fate of the novel. This essay is reprinted for the first time in ‘How to be Alone’, alongside the personal essays and painstaking, often funny reportage that earned Franzen a wide readership before the success of ‘The Corrections’. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern, imperial America. Recent pieces include a moving essay on his father's struggle with Alzheimer's disease and a rueful account of Franzen's brief tenure as an Oprah Winfrey author.As a collection, these essays record what Franzen calls 'a movement away from an angry and frightened isolation toward an acceptance – even a celebration – of being a reader and a writer.' At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.
Adeline Harris grew up in surroundings steeped in religion, from the beloved ayah in India who told her stories of Jesus wrestling tigers, to the strict father in England who placed a stone under her knee when she said the Rosary. It was no wonder that she always wanted to be a nun and a saint.Brought up to respect the church's authority, the parish priest was an important early influence in her life. And when she met the new charismatic priest, Father Kelly, her interest and amazement instantly deepened. She enjoyed spending time with him and rapidly began to spend every spare moment at the church, learning much from the principled man.Following her father's death, Adeline's mother struggled to cope and Adeline was sent to live with Father Kelly. As Adeline grew up, she found herself falling in love with her guardian and hoped he might return her feelings. Then, when she was 18, she met a young man, Andrew, at a local dance. Soon she was pregnant and turned to the one person she could always rely on for help. He offered to look after Adeline and her baby, but he couldn't understand her affections for Andrew. And, as time passed, deep down she always knew it was a friendship that was destined to end in heartache.
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