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The second volume of the autobiography of Doris Lessing, winner of the Nobel Prize for Literature.‘Walking in the Shade’ begins in 1949, as Doris Lessing arrives in London with nothing but her young son and the manuscript of her first novel. With humour and clear-sightedness, she records her battles of the next decade: her involvement with communism, her love affairs, her struggle with poverty, the difficulties she faced as a young single mother.But as well there is the success of that first novel, ‘The Grass Is Singing’, and meetings with personalities and opinion-makers – Kenneth Tynan, John Osborne, Bertrand Russell and others.Describing, too, the genesis of ‘The Golden Notebook’, this book sees Lessing emerge as one of the most exciting, and groundbreaking, novelists of the post-war generation, and one of the twentieth century’s great writers.
Assembled here for the first time in book form are the very best occasional writings from the winner of the Nobel Prize for Literature.A selection of the very best of Doris Lessing's essays: articles on writers as diverse as Jane Austen, Muriel Spark, Virginia Woolf, D. H. Lawrence and Mikael Bulgakov sit alongside autobiographical looks at the beliefs that have shaped Lessing’s thinking. There are adoring and adorable pieces on the beloved cats that she has allowed to share her life, and insightful looks at the Africa in which she grew up, and London and England, the place where she made her home.The range of subjects, cultures and periods within these essays is huge, but the collection is utterly consistent in one key regard: Doris Lessing’s clear-eyed vision and clearly expressed prose are present throughout. There is a huge amount of wisdom and entertainment in these pages, shot through with Lessing’s infectiously forthright, zestful and impish spirit.
‘Who is Rich? Is a tantalizing novel – acute and smart and stark, but mostly it’s unrelentingly funny about a large number of very inappropriate things. It’s one of those rare books: you open it, then you’re up all night. I was‘ Richard FordEvery summer, a once-sort-of famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a week-long arts conference in a charming New England beachside town. It’s a place where drum circles happen on the beach at midnight, clothing optional. Rich finds himself worrying about his family’s nights without him, his back taxes, his stuttering career and his own very real desire for love and human contact. One of the attendees this year is a forty-one-year-old painting student named Amy O’Donnell. Amy is a mother of three, unhappily married to a brutish Wall Street titan who commutes to work via helicopter. Rich and Amy met at the conference a year ago, shared a moment of passion, then spent the winter exchanging inappropriate texts and emails and counting the days until they could see each other again.Now they’re back.Who Is Rich? is a warped and exhilarating tale of love and lust, a study in midlife alienation, erotic pleasure, envy, and bitterness in the new gilded age that goes far beyond humour and satire to address deeper questions: of family, monogamy, the intoxicating beauty of children and the challenging interdependence of two soulful, sensitive creatures in a confusing domestic alliance.
An essential and definitive collection of the Nobel Prize for Literature winner’s finest essays, reviews, reminiscences and interviews from the 1950s, 1960s and 1970s.‘The novelist talks as an individual to individuals, in a small personal voice. In an age of committee art, public art, people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and, with confidence because of the knowledge of being needed, the warmth and humanity, and love of people which is essential for a great age of literature.’In this collection of her non-fiction, Lessing’s own life and work are the subject of a number of pieces, as are fellow writers such as Isak Dinesen and Kurt Vonnegut. There are essays on Malcolm X and Sufism, discussions of the responsibility of the artist, thoughts on her exile from Southern Rhodesia, and a fascinating memoir of her fraught relationship with her mother.Lit throughout by Doris Lessing's desire for truth-telling, ‘A Small Personal Voice’ is both an important collection of writings by and a self-portrait of one of the most significant writers of the past century.
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