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Stacia Kane
The fifth book in Stacia Kane’s gripping and gritty DOWNSIDE GHOSTS urban fantasy series, perfect for fans of Charlaine Harris, Laurell K. Hamilton and Kim Harrison.A DEADLY HIGHMagic-wielding Churchwitch and secret addict Chess Putnam knows better than anyone just how high a price people are willing to pay for a chemical rush. But when someone with money to burn and a penchant for black magic starts tampering with Downside’s drug supply, Chess realizes that the unlucky customers are paying with their souls – and taking the innocent with them, as the magic-infused speed compels them to kill in the most gruesome ways possible.As if the streets weren’t scary enough, the looming war between the two men in her life explodes, taking even more casualties and putting Chess squarely in the middle. Downside could become a literal ghost town if Chess doesn’t find a way to stop both the war and the dark wave of death-magic, and the only way to do that is to use both her addiction and her power to enter the spell and chase the magic all the way back to its malevolent source. Too bad that doing so will probably kill Chess – if the war doesn’t first destroy the man who’s become her reason for living.
Charlotte Roche
With her jaunty dissection of the sex life and the private grooming habits of the novel's 18-year-old narrator, Helen Memel, Charlotte Roche has turned the previously unspeakable into the national conversation in Germany.Since its debut in February, the novel («Feuchtgebiete,» in German) has sold more than a million copies, and is the biggest selling book on Amazon anywhere in the world.The book is a headlong dash through every crevice and byproduct, physical and psychological, of its narrator's body and mind. It is difficult to overstate the raunchiness of the novel. Wetlands opens in a hospital room after an intimate shaving accident. It gives a detailed topography of Helen's hemorrhoids, continues into the subject of anal intercourse and only gains momentum from there, eventually reaching avocado pits as objects of female sexual satisfaction and – here is where the debate kicks in – just possibly female empowerment. Clearly the novel has struck a nerve, catching a wave of popular interest in renewing the debate over women's roles and image in society.
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