Книги, похожие на «Cecelia Ahern, The Year I Met You»

Eleanor Whitman had been a young girl with a crush, offering Keegan Taber her heart on a platter. Then he'd made it ruthlessly clear he wanted nothing to do with it. Eleanor hated the memory–and she hated him. And yet even four years later, the sight of Keegan made her weak in the knees. Only, now she was no girl….Keegan had never forgiven himself for how he'd treated Eleanor. He'd give anything to have her love him again. But Eleanor had moved on and was with another man. All Keegan could do was hope that man didn't put a ring on her finger before he could win her back….

Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness. Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. Like ”action painting”, I could have called it ”literature in action”, but it would have been to distort the nature of the project, which was a work in progress, a dynamic entity, an evolving process, a writing on the go, a progressive writing. I never had a predetermined plan and the categorization was later, but the invocations of the four classic elements influenced underground in the structure of the work.The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness.

Are her unknown boss and the sexy mystery man next door one and the same? Find out in New York Times bestselling author Diana Palmer's acclaimed story, TO HAVE AND TO HOLD!Who is Cal Forrest? wonders shy Madeline Blainn. Her new neighbor is undeniably gorgeous. He's also older and worldlier, but nevertheless, Maddy finds herself drawn to the man. Something about him seems oddly familiar, but she's had no time for a personal life since her fiancé passed away days before their wedding. Maddy does her best to stop thinking about the irresistible Cal. But as the secrets between them grow, so does the attraction. Can they confess their hidden desires in time for true love to blossom?