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Two heart-stopping thrillers from the No.1 New York Times bestselling author Dean Koontz.INNOCENCEAddison Goodheart lives in solitude beneath the city, an exile from a society that will destroy him if he is ever seen.Books are his refuge and his escape: he embraces the riches they have to offer. By night he leaves his hidden chambers and, through a network of storm drains and service tunnels, makes his way into the central library.And that is where he meets Gwyneth, who, like Addison, also hides her true appearance and struggles to trust anyone.But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance – and nothing less than destiny – has brought them together in a world whose hour of reckoning is fast approaching.THE CITYJonah Kirk’s childhood has been punctuated by extraordinary moments – like the time a generous stranger helped him realize his dream of learning the piano. Nothing is more important to him than his family and friends, and the electrifying power of music.But now Jonah has a terrifying secret. And it sets him on a collision course with a group of dangerous people who will change his life forever.For one bright morning, a single earth-shattering event will show Jonah that in his city, good is entwined with malice, and sometimes the dark side of humanity triumphs. But it will also teach him that courage and honour are found in the most unexpected places, and the way forward lies buried deep inside the heart.If he can just survive to find it…
JACOB’S ROOM, Virginia Woolf’s third novel, marks her first foray into Modernist experimentation. The narrative traces Jacob’s childhood in Cornwall and his education at Cambridge, culminating in an evocative portrait of his adult life in London and abroad. Jacob is romantically torn between the artistic Florinda, the upper-middle-class Clara Durrant and the beautiful, but married, Sandra Wentworth Williams. This tissue of romance, though, is torn apart by the cataclysmic events of the First World War.Woolf poignantly depicts the life of Jacob through a sequence of alternating perspectives that combine letters, fragments of dialogue and the ephemeral impressions of those nearest to him. Jacob’s voice becomes the absent centre of one of Modernism’s first great novels.
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