Книги, похожие на «Andrea Bolter, The Prince's Cinderella»

The first three crime thrillers from worldwide 10 million-copy bestseller Camilla Lackberg, ‘the hottest female writer in Sweden’(Independent).The Ice Princess: The body of crime writer Erica Falck’s childhood friend is discovered, wrists slashed, in an ice cold bath. Was it murder or suicide? The investigation leads her to a community on the brink of tragedy.The Preacher: Twenty years ago, two young women disappeared in Fjällbacka – now their remains are found, along with a new victim. As Patrik Hedström works to solve these murders, do the dark secrets of a local family hold the key?The Stonecutter: When a little girl is found in a fisherman’s net, the police realize it was no accidental drowning. Patrik Hedström investigates the death of a child both he and Erica knew well.

Never Get Involved…Debra Latham followed her instructions closely when she was persuaded by her private detective sister to keep a watch on a suspicious client. But no instructions told her how to cope with an angry man who believed she was spying on him, or how to defend herself against his impassioned kisses. Marsh Graham turned out to be completely innocent and, embarrassingly for Debra, he was also her new boss. Not exactly the most auspicious of starts to a working relationship.But another form of a more personal relationship was what Marsh had made clear he wanted. They shared many common interests, after all, including a desire to help local children in need. But Debra had serious reasonsfor never wanting to get involved….

The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).