Книги, похожие на «Jan Brokken, The Music of the Netherlands Antilles»

The true story of Gerard Mercator, the greatest map-maker of all time, who was condemned to death as a heretic.‘Geographie and Chronologie I may call the Sunne and the Moone, the right eye and the left, of all history.’In ‘The World of Gerard Mercator’, Andrew Taylor chronicles both the story of a great astronomer and mathematician, who was condemned to death as a heretic, and the history of that most fascinating conjunction of science and art: the drawing of maps. Gerard Mercator was born in Flanders in 1512. In addition to creating accurate globes of the earth and the stars, he was the first person to use latitude and longitude for navigation and he created the most-used map of all time: Mercator’s Projection is still the standard view of the world, the one we all envisage when we think of a map of the globe. Simply finding the best solution to the impossible challenge of reproducing the spherical world on a flat sheet of paper was a considerable achievement in itself – something geographers and map-makers had been trying to do for centuries, but Mercator also created the map of the world that would form the basis of the modern age, an image of the continents for the common man.Until Mercator’s Projection, maps offered a pictorial encyclopaedia to an illiterate world, and that world stretched far beyond the knowledge and travels of most mapmakers. It is this evolution of mapmaking from art to science that forms the backdrop to the story of Mercator, from the days of Herodotus and Strabo when fabulous creatures were supposed to inhabit the fringes of the world to the great mappae mundi of Hereford and Ebsdorf. The Greek geographer Pytheas claimed to have visited the far north of Britain to establish the limits of the habitable world; but further north, he claimed that the earth, air and sea coalesced into a jellyfish-like gelatinous suspension that made life impossible.‘The World of Gerard Mercator’ is a brilliantly readable and absolutely fascinating history for the general reader, describing how our worldview came into being.

Year 2017: the young scholar Lucia Balleani, arranging and classifying the texts of the library of the Hoenstaufen Foundation, starts working in the old palace that had been the residence of the noble Baldeschi-Balleani family, of which she is a direct descendant. A series of visions linked to what happened to Lucia Baldeschi, of the same name, will lead the reader to discover with her an interesting story that took place in the same place 500 years before. During the Renaissance Jesi is rich in art and culture and where new and sumptuous palaces are built on the ruins of the ancient Roman city, lives a young countess, Lucia Baldeschi. The girl is the granddaughter of an evil Cardinal, weaver of obscure plots aimed at centralizing both temporal and ecclesiastical power in his own hands. Lucia, a person with a strong intelligence, becomes friend with a printer, Bernardino, with whom she share the passion for the rebirth of the arts, sciences and culture, which are characterizing the period throughout Italy. She will find herself caught between the duty to obey her uncle, who made her grow up and educate her in the palace in the absence of her parents, and the passionate love for Andrea Franciolini, son of the People's Capitan and designated victim of the Cardinal's tyranny. The story is also told through the eyes of Lucia Balleani, a young scholar descendent of the noble family. In 2017, exactly 500 years after the events, she discovered ancient documents in the family palace, and reconstructed the complex history of which traces had been lost.