Книги, похожие на «Tracy Chevalier, The Last Runaway»

Two fan-favorite tales of romance and suspense from New York Times bestselling author Linda HowardA Game of ChanceOn the trail of a vicious criminal, agent Chance Mackenzie finds the perfect bait for his trap: the target's daughter, Sunny Miller. Chance makes himself the only man she can trust, and then arranges for her elusive father to find out about them. But Chance doesn't know that Sunny has her own reasons for hiding from her father. His deception puts them in danger of losing everything—including their hearts.Loving EvangelineThere's no doubt that the woman calling herself Evie Shaw is the key to the high-tech conspiracy that's threatening Robert Cannon’s computer company—and he means to take her down personally. But trailing her into the heart of a long, hot Southern summer, he finds himself questioning everything he thought he knew. Can she really be innocent? Or are Robert's feelings clouding his judgment when it comes to the woman who has to be guilty as sin?

They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.