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Four little girls–each blond, each on the verge of adolescence–stolen from their families.Their bodies discovered months later in shallow graves, surrounded by trinkets they never owned, clutching a scrap of paper bearing a cryptic verse. As a forensic nurse in rural South Carolina, Ashlee Davenport Chadwick acts as both caregiver and cop, gathering evidence from anyone who arrives in the local E.R. as the result of a crime. It's a tough job, both physically and emotionally draining, but deeply satisfying.Then a child's red shoe is discovered on Davenport property. The evidence leads Ashlee to the body of a missing girl and her work suddenly invades every aspect of her life. As an expert and a witness, she must call upon all her resources. And when the killer's eye turns to her, she becomes intimately involved with a crime that tests her mind and her spirit…and the price of failure will be another child's life.
A CIA asset carrying highly classified information disappears when her plane is shot down over Burma. Two paramilitary rescue teams are sent to track her but are compromised, captured or killed. There's only one person left who might be able to get her–and the intel–back to safety: Mack Bolan.Moving carefully through a maze of inhospitable and dangerous mountain terrain, Bolan must avoid Chinese forces seeking to recover what was stolen from them, and the Indian military, who hope to snatch for themselves the information about China's nuclear missiles. But the Executioner's moves aren't just being monitored; they're being anticipated. Someone on his side is working against him…
An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships
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