Книги, похожие на «Bernard Cornwell, The Last Kingdom Series Books 1–8: The Last Kingdom, The Pale Horseman, The Lords of the North, Sword Song, The Burning Land, Death of Kings, The Pagan Lord, The Empty Throne»

At the fortress of the eagles, three kings will fight …Uhtred of Bebbanburg has won back his ancestral home but, threatened from all sides by enemies both old and new, he doesn’t have long to enjoy the victory.In Mercia, rebellion is in the air as King Edward tries to seize control. In Wessex, rival parties scramble to settle on the identity of the next king. And across the country invading Norsemen continue their relentless incursion, ever hungry for land.Uhtred – a legendary warrior, admired and sought as an ally, feared as an adversary – finds himself once again torn between his two heritages: fighting on what he considers the wrong side, cursed by misfortune and tragedy and facing one of his most formidable enemies. Only the most astute cunning, the greatest loyalty and the most spectacular courage can save him.For decades, Uhtred has stood at the intersection between Pagan and Christian, between Saxon and Viking, between the old world he was born into and the new world being forged around him. But as the winds of change gather pace, the pressure on Uhtred as father, as politician and as warrior grows as never before.

From Doris Lessing, winner of the Nobel Prize for Literature, the fifth and final instalment in the visionary novel cycle ‘Canopus in Argos: Archives’.‘The Sentimental Agents …’ is set in the declining Volyen Empire as the empires of Sirius and Shammat compete to overwhelm it with rhetoric and false sentiment. The Canopean Empire deploys covert agents to help the Volyens resist. But one of these agents, Incent, succumbs to ‘Undulant Rhetoric’, and Agent Klorathy must go to Volyen to help him see through the empty words that have beguiled him.Once more employing alien races to identify human failings, Lessing uses social and political satire to show how we misuse speech (and speeches) and delude ourselves with self-aggrandizing notions about the primacy of emotion. Her renowned insight into human behaviour goes hand in hand here with a vein of humour that sees her writing in the tradition of Voltaire and Swift.