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Исабель Альенде
The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).
Barbara Taylor Bradford
A compelling story of old loves and old secrets.Sebastian, the fifty-six-year-old patriarch of the Locke clan, is handsome, charismatic, a man of immense charm and intelligence. He heads up the philanthropic Locke Foundation, and travels the globe, personally giving away millions a year to the poor, the sick, and the victims of natural disasters and wars. And now, he is dead – murdered in mysterious circumstances that have the police at a loss. Who would want to kill the world’s greatest philanthropist? Could such an upstanding man have enemies?Vivienne Trent, a glamorous American journalist, met Locke as a child, married him, divorced him, but stayed close to him. Aware that there was another side to this enigmatic man, she sets out to find the truth about his death – and about Locke himself.
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