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BBC2’s major TV series THE LAST KINGDOM is based on Bernard Cornwell’s bestselling novels on the making of England and the fate of his great hero, Uhtred of Bebbanburg. The Last Kingdom is the first book in the series.Season 2 of the epic TV series premiers this March.Uhtred is an English boy, born into the aristocracy of ninth-century Northumbria. Orphaned at ten, he is captured and adopted by a Dane and taught the Viking ways. Yet Uhtred's fate is indissolubly bound up with Alfred, King of Wessex, who rules over the only English kingdom to survive the Danish assault.The struggle between the English and the Danes and the strife between christianity and paganism is the background to Uhtred's growing up. He is left uncertain of his loyalties but a slaughter in a winter dawn propels him to the English side and he will become a man just as the Danes launch their fiercest attack yet on Alfred's kingdom. Marriage ties him further still to the West Saxon cause but when his wife and child vanish in the chaos of the Danish invasion, Uhtred is driven to face the greatest of the Viking chieftains in a battle beside the sea. There, in the horror of the shield-wall, he discovers his true allegiance.The Last Kingdom, like most of Bernard Cornwell's books, is firmly based on true history. It is the first novel of a series that tells the tale of Alfred the Great and his descendants and of the enemies they faced, Viking warriors like Ivar the Boneless and his feared brother, Ubba. Against their lives Bernard Cornwell has woven a story of divided loyalties, reluctant love and desperate heroism. In Uhtred, he has created one of his most interesting and heroic characters and in The Last Kingdom one of his most powerful and passionate novels.
The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).
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