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1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue…The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent – but then the hangman had never hung a guilty man, he said. But even in 1820, the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Rider Sandman, once of the First Foot Guards, is given the job.Rider Sandman, a hero of Waterloo, has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way, this only arouses his smouldering anger over the condition of England, a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns, talking to aristocrats, fashionable painters, their models, and their mistresses, dodging professional cut-throats and deceptive swordsmen, Sandman uncovers a conspiracy of silence, a group whose proudest boast was that they would do anything for any one of them.Sandman is a wonderful character, as yet undaunted by the sleazy streets, dank jails or the looming scaffold, and uncorrupted by politicians, sneering gentlemen or frightening bruisers, an investigator in the making and a brilliant, but very different, hero for all Bernard Cornwell fans.
Agatha Christie’s audacious mystery thriller, reissued with a striking cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.For an instant the two trains ran together, side by side. In that frozen moment, Elspeth witnessed a murder. Helplessly, she stared out of her carriage window as a man remorselessly tightened his grip around a woman’s throat. The body crumpled. Then the other train drew away.But who, apart from Miss Marple, would take her story seriously? After all, there were no suspects, no other witnesses… and no corpse.
From the Queen of Crime, the first time all of her spookiest and most macabre stories have been collected in one volume.“Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: that pure, crisp, absolute satisfaction.”—Tana FrenchFor lovers of the supernatural and the macabre comes this collection of ghostly and chilling tales from legendary mystery writer Agatha Christie. Fantastic psychic visions, spectres looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these stories.The Last Séance gathers twenty tales, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.
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