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Nate Lyster and Mia Verbeek are in perfect agreement–letting someone new into your life is much too risky. Mom to four kids, Mia can't let just anyone get close, while wandering cowboy Nate learned young that trusting another means chancing heartbreak.But when a fire turns Mia's life upside down, Nate is the only one who can get through to her traumatized son. Nate fits into Mia's family perfectly, and they soon realize that a loving family is what they both want. Can they put the hurts of their pasts behind them…for a chance at a perfect love?
‘If my card is higher you’ll belong to me, obeying my every whim for as long as I desire.’ As Bree Dalton hears the icy words of Russian Prince Vladimir Xendzov, the man whose ring she once wore and whose life she once ruined, she nervously accepts the biggest wager of her life. Her body for a million dollars. Bree knows better than to doubt the steely ruthlessness of this man.With everything to lose, and the weight of Vladimir’s gaze upon her, she will have to play the best she’s ever played – or run the risk of losing herself completely…‘Wonderful, enthralling and superb for any romantics at heart. Already on to my second read!’ – Arpita, 63, Essex
Following the success of ‘We Need to Talk About Kevin’ and ‘The Post-Birthday World’, ‘Game Control’ is coming back into print after being unavailable for years.Eleanor Merritt, a do-gooding American family-planning worker, was drawn to Kenya to improve the lot of the poor. Unnervingly, she finds herself falling in love with the beguiling Calvin Piper despite, or perhaps because of, his misanthropic theories about population control and the future of the human race. Surely, Calvin whispers seductively in Eleanor's ear, if the poor are a responsibility they are also an imposition.Set against the vivid backdrop of shambolic modern-day Africa – a continent now primarily populated with wildlife of the two-legged sort – Lionel Shriver's ‘Game Control’ is a wry, grimly comic tale of bad ideas and good intentions. With a deft, droll touch, Shriver highlights the hypocrisy of lofty intellectuals who would ‘save’ humanity but who don't like people.
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