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Don Pendleton
IMMEDIATE THREATThe former director of the CIA is assassinated in broad daylight on the streets of Pakistan, the opening act of a disaster show for America and the world. It's the kind of conspiracy that can only happen when madmen and conspirators get the money and power to play their hand with millions of innocent lives.A soldier from Iraq's toppled regime is back for blood and glory, ready to light the fuse that will deliver a killing blow to the Middle East–but it's the United States that will take the ultimate fall. Up against traitors, terrorists and impossible odds, Mack Bolan races to pull America's future out of the crosshairs of a violent enemy.
Don Pendleton
URBAN RETRIBUTIONA powerful Colombian cartel goes too far when they torture and kill a DEA agent. Tasked with dismantling their operation and taking out their leader, Mack Bolan heads to Cali with an unlikely ally–a convicted murderer known as the Witch. The former cocaine dealer has an axe to grind with the cartel's kingpin, and she's willing to go along with Bolan's plan as long as they avenge her sons' deaths in the process.But sending the woman in as bait works too well. Outnumbered and outgunned, the two will need more than their combat skills to dodge the bullets. If they're going to survive this Colombian street war, they'll have to trust each other and work as a team, even when it seems the end is near. The cartel may fear the Witch's revenge, but the Executioner will make them dread justice.
Kate O’Riordan
An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships
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