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The Sun
Prince William and Kate Middleton's fairytale romance is the greatest love story of the century, with a happy ending to come – a Royal wedding that will truly capture the hearts of the British people.Will was the boy who would one day be king; Kate was the middle class girl who had harboured a crush on him since her school days. Both were new students at the University of St Andrews in 2001, facing the same challenges that any new student faces – away from the family nest and striving to find their niche – albeit under the scrutiny and expectation of the watching world.Competition for Will's affections was inevitably fierce, with a variety of society beauties deemed suitable for a Prince vying for his hand. But Kate was unperturbed and refused to be intimidated by the social circles he moved in. She would have her prince charming, and a romance began to blossom. Before long she was firmly ensconced in the Royal fold.Life after University became more difficult for the couple. Kate found the intrusiveness of the paparazzi and the social chasm between their families a great strain, and with Will's military career becoming his priority it looked like this would be the end of the affair.But Kate was a fighter – and she fought to keep her prince. The couple's appearance at Camilla's 60th birthday bash public confirmation that this would in fact be an affair to remember.Since then their love has grown stronger and stronger, and Will has finally proposed to his 'adorable Kate'. With the wedding confirmed to take place 29 April 2011, not since Charles and Diana has there been so much good will and desire for a Royal wedding.Written by James Clench, the Sun’s Royal correspondent and containing 150 beautiful photographs from Arthur Edwards the Sun’s Royal photographer, Kate and Will: A Royal Love Story is the story behind the most remarkable romance of our times.
Joanne Drayton
The Empress of Crime's life was the ultimate detective story – revealed for the first time in this forthright and perceptive biography.While Ngaio Marsh had a flamboyant public persona, she was fiercely protective of her private life. And no one knows better how to cover tracks with red herrings and remove incriminating evidence than a crime fiction writer…This fascinating biography of Ngaio Marsh pieces together both the public and private Marsh in a way that is as riveting as a crime novel. Through her writing and her theatre work, Joanne Drayton assembles the pieces to the puzzle that is Marsh, proving that life can be as thrilling as fiction. Marsh wrote her first detective novel in a London flat in the depths of the 1930s Depression, bringing life to Detective Inspector Roderick Alleyn in her first book, A Man Lay Dead. Through 32 novels he would establish himself as one of the great super-sleuths, and Marsh as one of the four Queens of Golden Age detective fiction, alongside Agatha Christie, Dorothy Sayers and Margery Allingham.In 1932, a family tragedy brought Marsh home to New Zealand, to a life divided – between hemispheres, between passionate relationships at home and abroad, and between the world of publishing and her life as a stage director. In 1949 her writing would earn her the ultimate distinction when Penguin and Collins released the 'Marsh Million': 100,000 copies each of ten of her titles on to the world market. The popular appetite for classic whodunits was insatiable and Ngaio Marsh was one of the best. But her greatest love was the stage – or was it?
Jane Mulvagh
The acclaimed biography of one of England’s great eccentrics and leading fashion designers.• For three decades, Vivienne Westwood has been Britain’s most consistently original, outrageous, eccentric and controversial designer. In that time she has evolved from an iconoclastic outsider to an internationally revered figure, with two British Designer of the Year awards, an OBE, her own successful fashion label and an unrivalled reputation for leading where other designers follow.• Her lifestyle could scarcely be in greater contrast to the opulence which surrounds other leading designers: until recently she lived in a modest council flat in South London, and she still travels around the capital by bicycle, dressed in her own flamboyant creations, with a plastic bag protecting her hair from the elements. How did an awkward girl from a conventional and provincial background become one of world fashion’s most influential and respected designers? How has she managed to remain true to her own idiosyncratic vision, refusing to conform to the fashion industry’s, and society’s, expectations?• Speaking to Westwood herself, her friends, lovers, colleagues, rivals, admirers and detractors, Jane Mulvagh has created a portrait as rich, distinctive and constantly surprising as her subject’s character and work.
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