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Why are the bad ones always so very, very good? FBI special agent Nicola Guthrie is on her first field assignment. To find security expert turned art thief Gabe Wilder. And, late one night, she does. Not to mention a whole lot more! Who knew her traitorous body would respond so strongly to Gabe’s sensuous lips, her own irresistible need?Gabe can’t believe that Nicola thinks he’s the bad guy! Then again, he’s almost tempted to confess, just so he can keep tasting her incredible mouth. But a daring criminal is terrorising the city’s wealthiest collectors.Gabe and Nicola quickly realise the smartest way to catch their quarry is to join forces. Of course, they’ll have to find their way out of bed first…
The international bestseller Dean Koontz delivers a masterclass of storytelling suspense in this thriller. What would you do if a serial killer forced you to choose who he murders next?On the windscreen of his SUV, Billy finds the first note.It gives him a choice. If he takes the note to the police, an elderly woman will be killed. If he doesn’t approach the police, a schoolteacher will die. He thinks it’s a hoax. The schoolteacher is killed. Further notes taunt Billy’s conscience, forcing him to decide who lives and who dies. He must think the unthinkable, fast, in an accelerating nightmare.More communications from the killer follow with ever tighter deadlines. Each is more personal, more confrontational than the last until he is isolated, with no one to rely on but himself. Finally, he must risk everything to save the helpless, clueless victims…
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