Книги, похожие на «Blake Charlton, Spellbreaker: Book 3 of the Spellwright Trilogy»

The complete edition of a timeless classic, includes the recently rediscovered Part Four and ‘Last Words’ by Richard Bach.Jonathan Livingston Seagull, the most celebrated inspirational fable of our time, tells the story of a bird determined to be more than ordinary.‘Most gulls don’t bother to learn more than the simplest facts of flight – how to get from shore to food and back again,’ writes author Richard Bach in this allegory about a unique bird named Jonathan Livingston Seagull. ‘For most gulls it is not flying that matters, but eating. For this gull, though, it was not eating that mattered, but flight.’ Flight is indeed the metaphor that makes this story soar.This bestselling modern classic is a fable about seeking a higher purpose in life, even if your flock, tribe or neighbourhood finds your ambition threatening (at one point our beloved gull is even banished from his flock). By not compromising his higher vision, Jonathan learns the meaning of love and kindness and gets the ultimate payoff – transcendence.The dreamy illustrations by Russell Munson provide just the right illustrations for this spirituality classic that has inspired thousands of readers to follow their own path in life and so fulfill their true potential.

An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships