Книги, похожие на «Steve Aylett, Smithereens»

A thriller like you’ve never read one before, from the hottest new voice in Korean fiction‘A work of literary genius’ Karen Dionne, internationally bestselling author of Home‘I loved it!’ M. W. Craven, author of The Puppet Show‘You’ll be laughing out loud every five minutes’ You-jeong Jeong, author of The Good Son‘A mash-up of Tarantino and Camus set in contemporary Seoul’ Louisa Luna, author of Two Girls Down‘An incredible cast of characters’ Le monde‘Smart but lightning fast’ Brian Evenson, author of Last DaysPlotters are just pawns like us. A request comes in and they draw up the plans. There’s someone above them who tells them what to do. And above that person is another plotter telling them what to do. You think that if you go up there with a knife and stab the person at the very top, that’ll fix everything. But no-one’s there. It’s just an empty chair.Reseng was raised by cantankerous Old Raccoon in the Library of Dogs. To anyone asking, it’s just an ordinary library. To anyone in the know, it’s a hub for Seoul’s organised crime, and a place where contract killings are plotted and planned. So it’s no surprise that Reseng has grown up to become one of the best hitmen in Seoul. He takes orders from the plotters, carries out his grim duties, and comforts himself afterwards with copious quantities of beer and his two cats, Desk and Lampshade.But after he takes pity on a target and lets her die how she chooses, he finds his every move is being watched. Is he finally about to fall victim to his own game? And why does that new female librarian at the library act so strangely? Is he looking for his enemies in all the wrong places? Could he be at the centre of a plot bigger than anything he’s ever known?

Black Mirror meets David Nicholls in this dark and funny novel about love in dystopian timesLONGLISTED FOR THE DESMOND ELLIOTT PRIZE FOR FICTIONKarl has let his debts get wildly out of control and, in desperation, has sort of semi-accidentally committed credit-card fraud. Now he could have to go to prison, so when he and his wife Genevieve are instead offered a place on a mysterious self-improvement scheme called The Transition, they agree. It’s only six months, after all, and at first all it requires is that they give up their credit cards and move into the spare room of their ‘mentors’, Janna and Stu, who seem perfectly lovely…‘A total page-turner’ Nathan Filer , author of The Shock of the Fall‘The sort of book that has you walking blindly through seven lanes of traffic with your face pressed obliviously to the page’ The Times‘Very funny, compassionate and scathing. Just the ticket for fans of Jonathan Coe’ Laline Paull, author of The Bees‘Richly enjoyable, tenderly devastating’ Guardian

JACOB’S ROOM, Virginia Woolf’s third novel, marks her first foray into Modernist experimentation. The narrative traces Jacob’s childhood in Cornwall and his education at Cambridge, culminating in an evocative portrait of his adult life in London and abroad. Jacob is romantically torn between the artistic Florinda, the upper-middle-class Clara Durrant and the beautiful, but married, Sandra Wentworth Williams. This tissue of romance, though, is torn apart by the cataclysmic events of the First World War.Woolf poignantly depicts the life of Jacob through a sequence of alternating perspectives that combine letters, fragments of dialogue and the ephemeral impressions of those nearest to him. Jacob’s voice becomes the absent centre of one of Modernism’s first great novels.