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Two historical thrillers from the award-winning and bestselling Andrew Taylor. ‘Taylor wrote superb historical fiction long before Hilary Mantel was popular’ Daily TelegraphTHE AMERICAN BOY: England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the child’s sensitive best friend, Charles Frant. Helplessly drawn to Frant’s beautiful, unhappy mother, Thomas becomes entwined in their family’s affairs.When a brutal murder takes place in London’s seedy backstreets, it is not certain who either the victim or the killer is. But all clues seem to lead back to the Frant household, and Shield is tangled in a web of lies, money, sex and death that threatens to tear his new life apart.And what of the strange American boy at the heart of these macabre events – what is the dark secret of young Edgar Allan Poe?THE SCENT OF DEATH: August, 1778. British-controlled Manhattan is a melting pot of soldiers, traitors and refugees, surrounded by rebel forces as the American War of Independence rages on.Into this simmering tension sails Edward Savill, a London clerk tasked with assessing the claims of loyalists who have lost out during the war.Savill lodges with the ageing Judge Wintour, his ailing wife, and their enigmatic daughter-in-law Arabella. However, as Savill soon learns, what the Wintours have lost in wealth, they have gained in secrets.The murder of a gentleman in the slums pulls Savill into the city’s underbelly. But when life is so cheap, why does one death matter? Because making a nation is a lucrative business, and some people cannot afford to miss out, whatever the price…
Three classic Richard Sharpe adventuresRichard Sharpe and the Bussaco Campaign, 1811It is 1810 and the French are making yet another attempt to invade Portugal. Facing them is a wasted land, stripped of food by Wellington’s orders, and Captain Richard Sharpe.Richard Sharpe and the Battle of Barrosa, March 1811In the winter of 1811, the war seems lost. Spain has fallen to the French, except for Cadiz, now the Spanish capital and itself under siege. Inside the city walls an intricate diplomatic dance is taking place and Richard Sharpe faces more than one enemy.Richard Sharpe and the Battle of Fuentes de Oñoro , May 1811Richard Sharpe and his men, quartered in a crumbling Portuguese fort, are attacked by an elite French unit, led by an old enemy of Sharpe’s, and suffer heavy losses.
1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue…The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent – but then the hangman had never hung a guilty man, he said. But even in 1820, the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Rider Sandman, once of the First Foot Guards, is given the job.Rider Sandman, a hero of Waterloo, has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way, this only arouses his smouldering anger over the condition of England, a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns, talking to aristocrats, fashionable painters, their models, and their mistresses, dodging professional cut-throats and deceptive swordsmen, Sandman uncovers a conspiracy of silence, a group whose proudest boast was that they would do anything for any one of them.Sandman is a wonderful character, as yet undaunted by the sleazy streets, dank jails or the looming scaffold, and uncorrupted by politicians, sneering gentlemen or frightening bruisers, an investigator in the making and a brilliant, but very different, hero for all Bernard Cornwell fans.
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