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RAINING HELLFIREA deadly series of lightning strikes confounds experts and pits Mack Bolan against a new kind of terror that comes out of the sky. The death toll spreads as a plane loaded with innocent victims is blown apart, an office building ignites, killing hundreds, and refinery and munitions factories burst into fireballs. Whoever's responsible leaves no fingerprint. And the strikes continue–unpredictable, undetectable and unstoppable.Posing as the front man of a rival terrorist organization claiming responsibility for the attacks, Bolan lures the enemy–Iraq's Republican Guard–out of the shadows. And by coaxing them to put this latest lethal incendiary weapon on the black-market auction block, traitorous old friends and reformed enemies converge…right into the center of Bolan's crosshairs.
MASTERMIND OF TERRORFor more than a century the world's most famous serial killer case has remained unsolved. Now, on the streets of London, the legend has come back to life–with a new twist. Jack the Ripper's grisly work is being recreated, leaving a city in terror. But this time the relentless killer wears body armor, has crack military training and a squad of former SAS commandos as his backup.Jack and his death dealers have a bloody agenda of greed, money and power, and they've got a workable operation in place to make it all happen. But this modern-day Ripper faces a foe that the original man of mystery never dreamed about: the Executioner.
An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships
When it comes to Rachel, Max makes an exception to his take-no-prisoners rule.He’ll hold her hostage as his secretary and settle old scores from their brief affair five years ago.Rachel needs Max as a client to keep her employment agency alive. But soon their reignited passion reveals the mystery of her past. Will their intimacy survive this time?
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