Книги, похожие на «Lydia Parks, Shadow Lover»

Hannah McGuire's resort-town life had been quiet, happy and safe. ~Until her best friend was murdered and the investigation forced her into a partnership with Dr. Rex Logan – the man she'd loved, lost and been hiding from for six years. Rex had put Hannah's life in danger once before. Now he had to face her again, and this time, to protect her, he was staying close – very close.Working to expose a terrorist secret that could threaten global security, Rex was defenseless in the face of the powerful passion that still simmered between them. But was passion enough? And when Hannah told Rex her own secret – that she'd borne him a son – would she put all their lives in grave danger?

Cinderella and the boss Polly Bright has just landed a much-needed job as a waitress at the Chelsea Bella Lucia. But on her first day, a series of mishaps on the way into work leave her unfit to be seen by the fancy clientele! Hopefully the surly, but sexy, new manager, Luc Bellasario, won’t send her packing…Luc’s been told to keep his eyes on Polly, which is no hardship at all – it’s taking them off her that’s proving difficult! Especially when he realises the courageous heart beating beneath Polly’s loveably scatty exterior. Has this accident-prone Cinderella finally met her very own Prince Charming?

An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships