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Heather Graham
They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.
Rosalind Stopps
They wrote it on the wall above my bed. Hello, it said, my name is May. Please talk to me.May has been moved to a care home after her stroke. She can’t communicate, all her words are kept inside. If she tries to point, her arms swing in wild directions, if she tries to talk, strange noises come out of her mouth.May is sharp, quick, and funny, but only her daughter Jenny sees this, and Jackie, a new friend at the home who cares enough to look and listen closely.When May discovers that someone very familiar, from long ago, is living in the room opposite hers she is haunted by scenes from her earlier life, when she was a prisoner of her husband’s unpredictable rages. Bill, the man in the opposite room seems so much like her husband, though almost a lifetime has passed, and May’s eyesight isn’t what it was.As Bill charms his way through the nursing home, he focuses his romantic attention on Jackie, while all May can do is watch. She is determined to protect Jackie and keep herself safe, but what can she do in her vulnerable, silent state?
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