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SPOILS OF WARThe action smacks of black ops, but Mack Bolan is willing to deal himself into the game at Stony Man's bidding, riding shotgun with Cobra Force Twelve on a mission to round up the worst of the worst, from Africa through the Middle East. It is a quick and dirty sweep of the most wanted of global terror.But Bolan's gut tells him something is wrong from the start, and that Colonel Ben Collins and his force of hardcases are into more than American justice– something that smells like blood and betrayal. Playing it out long enough to separate the truth from the lies, the Stony warrior wades through the slaughter zones, hunting the enemy and watching his back. If some or all of Cobra Force turn out to be vicious, merciless predators hiding behind the Stars and Stripes, they'll learn the sword of justice cuts both ways.
From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian God: Demi is the Half-God of Rainfall.His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that Gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The Gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.And when that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, the Goddesses, will stand between him and a lightning bolt.
JACOB’S ROOM, Virginia Woolf’s third novel, marks her first foray into Modernist experimentation. The narrative traces Jacob’s childhood in Cornwall and his education at Cambridge, culminating in an evocative portrait of his adult life in London and abroad. Jacob is romantically torn between the artistic Florinda, the upper-middle-class Clara Durrant and the beautiful, but married, Sandra Wentworth Williams. This tissue of romance, though, is torn apart by the cataclysmic events of the First World War.Woolf poignantly depicts the life of Jacob through a sequence of alternating perspectives that combine letters, fragments of dialogue and the ephemeral impressions of those nearest to him. Jacob’s voice becomes the absent centre of one of Modernism’s first great novels.
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