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RECIPIENT OF THE ORWELL SPECIAL PRIZE 2013Marie Colvin was the outstanding journalist of her generation. Recognised for her fearless pursuit of the truth, her courage and the humanity of her reporting, On the Front Line is a collection of her finest work, proceeds for which will go to the charitable Trust set up in her memory.Marie Colvin, who was killed in shellfire on 22 February 2012 whilst covering the uprising in Syria, was a fearless, passionate foreign correspondent, a veteran of many conflicts from around the world with a profound belief that reporting could curtail the excesses of brutal regimes and a powerful compulsion to go to places where bad things were happening. Often the first to arrive and the last to leave, her insistence on experiencing the risks of those she wrote about led to a vast portfolio of work for the Sunday Times – particularly on the Middle East, and on the human toll of war.But Marie Colvin was no hard-bitten cynic and combined her fearless pursuit of the truth with an immense love of life – sailing, friendship, children, parties – which gave her an ebullient charm, and her writing a powerful human depth.On the Front Line collects the finest pieces of Marie’s journalism starting with her coverage of the 1986 US bombing of Libya; interviews with Yasser Arafat; her reports from East Timor in 1999 when her refusal to leave shamed the UN into staying and the international community into forcing the Indonesians to give the refugees safe passage. Here too is her account of her terrifying escape from the Russians, across the freezing Chechen mountains, and her reports from the strongholds of the Tamil Tigers in Sri Lanka where she was hit by shrapnel in her left eye, losing her sight.Her death has robbed the world of a multi-prize-winning journalist and the victims of war have lost one of their most powerful advocates.

The Empress of Crime's life was the ultimate detective story – revealed for the first time in this forthright and perceptive biography.While Ngaio Marsh had a flamboyant public persona, she was fiercely protective of her private life. And no one knows better how to cover tracks with red herrings and remove incriminating evidence than a crime fiction writer…This fascinating biography of Ngaio Marsh pieces together both the public and private Marsh in a way that is as riveting as a crime novel. Through her writing and her theatre work, Joanne Drayton assembles the pieces to the puzzle that is Marsh, proving that life can be as thrilling as fiction. Marsh wrote her first detective novel in a London flat in the depths of the 1930s Depression, bringing life to Detective Inspector Roderick Alleyn in her first book, A Man Lay Dead. Through 32 novels he would establish himself as one of the great super-sleuths, and Marsh as one of the four Queens of Golden Age detective fiction, alongside Agatha Christie, Dorothy Sayers and Margery Allingham.In 1932, a family tragedy brought Marsh home to New Zealand, to a life divided – between hemispheres, between passionate relationships at home and abroad, and between the world of publishing and her life as a stage director. In 1949 her writing would earn her the ultimate distinction when Penguin and Collins released the 'Marsh Million': 100,000 copies each of ten of her titles on to the world market. The popular appetite for classic whodunits was insatiable and Ngaio Marsh was one of the best. But her greatest love was the stage – or was it?