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It's true what they say–all the good guys are married……or have Mob connections!And Natalie Dorset should know. The guy who moved in downstairs may be gorgeous, but the things he says–who uses «whacked» anymore?–and the way he dresses… Well, let's just say that Jack Miller isn't the type you bring home to Mom. Good enough reason for Natalie to stay clear.Too bad their landlady is cracking matchmaking schemes that make covert ops look like child's play. But before this little–okay, it's a pretty big–attraction can get out of hand, Natalie is determined to get to the bottom of Jack's story.Because maybe…just maybe…this time the good guy wears black.
Play a song for me… Musicians are being murdered in New Orleans. But Arnie Watson apparently died by his own hand. When Tyler Anderson plays the saxophone he inherited from Arnie, a soldier and musician who died soon after his return, he believes he sees visions of his friend's life—and death. He becomes convinced Arnie was murdered and that the instrument had something to do with whatever happened, and with whatever's happening all over the city…Tyler knows his theory sounds crazy to the police, so he approaches Danni Cafferty, hoping she and Michael Quinn will find out what the cops couldn't. Or wouldn't. After all, Cafferty and Quinn have become famous for solving unusual crimes.They're partners in their personal lives, too. Quinn's a private investigator and Danni works with him. When they look into the case, they discover a secret lover of Arnie's and a history of jealousies and old hatreds that leads them back to the band Arnie once played with—and Tyler plays with now.They discover that sometimes, for some people, the line between passion and obsession is hard to draw. Only in uncovering the truth can they hope to save others—and themselves—from the deadly hands of a killer.
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