Книги, похожие на «William W. Johnstone, Preacher's Fury»

Psychological thriller with high emotional impact Marta is a fragile and problematic girl, Stefano a man who had to give up the love of his life, Greta is lucid and calculator, accused of murder. Personalities that apparently have only one thing in common: they have witnessed events on the edge of rational understanding. Love, magic and mystery will be opposed to the violence inherent in each of them. Stella, the protagonist, will try to elaborate a traumatic experience that she lived as a child with the help of a psychiatrist. But the result of that elaboration, will destabilize her to the point of bringing out in her the ancient beliefs and legends of Yoruba, of the Cuban village where she was born and lives with her mother and grandmother. Four stories that intersect each other in an extraordinary way, four characters that lead the reader to think that their reality is a mirror that more or less accurately reflects the outside world without realizing, on the contrary, that the mind itself is the main element of creation.

Dark. Dangerous. Damaged.This man will protect her.After years of an unhappy and bitter marriage, cautious Lady Violet Addington is intrigued by the Comte de Beaumont. His air of danger, mysterious scars and pure sexuality pose a temptation that’s hard to resist. Threatened by her late husband’s enemies, she makes a daring proposition: in exchange for the Comte’s protection, she’ll join him in his bed!

The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.