Книги, похожие на «Philip Loraine, Ugly Money»

The Downside Ghosts series is “dark, sexy urban fantasy at its finest.” Now, in this breathtakingly suspenseful eBook novella, Kane has written a prequel to her thrilling series. Perfect for fans of Charlaine Harris, Laurell K. Hamilton and Kim Harrison.Before Chess Putnam was a magic-wielding Churchwitch, she was a student in the Church of Real Truth—with a keen sensitivity to magic, a strong rebellious streak, and a penchant for self-destruction. And in Finding Magic, a grisly ghost murder becomes Chess’s baptism of fire.When eighteen-year-old Chess Putnam is offered the chance to train with a special team of investigators known as the Black Squad, she feels torn. She’s never been a team player and hates how one male Inquisitor condescends to “the new kid.” But at her first bloody crime scene, she gets a taste for investigation—and is hooked on the high. Though the seasoned Inquisitors consider the series of ghost murders random events, Chess starts to detect a pattern. Is a psycho killer summoning ghosts from the City of Eternity and using them as murder weapons? As Chess gets closer to the dark truth, she puts herself in grave danger and risks losing everything she’s fought so hard for.Includes a special preview of Stacia Kane’s upcoming urban fantasy thriller, Chasing Magic!

The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.