Книги, похожие на «Amy Ruttan, Perfect Rivals...»

Penny Jordan needs no introduction as arguably the most recognisable name writing for Mills & Boon. We have celebrated her wonderful writing with a special collection, many of which for the first time in eBook format and all available right now."I'm glad we both know the score."Jay Courtland was used to playing the game of love with sophisticated women who followed the rules – no attachments, no commitments, no cheating. He was not used to the Vanessas of the world.Yet when he mistook Vanessa for her more glamorous cousin, she reluctantly continued the deception. She was twenty-two years old, had never had a lover and knew she'd never again meet a man who made her feel the way Jay could.So she prayed for a little beginner's luck and took the chance that Jay would eventually see her – and want her – for what she really was…and not as a poor substitute for Nadia.

A novel of painting, pretence and the strange ways in which truth makes itself known, from the author of ONE HUNDRED SHADES OF WHITENina’s lost her job, boyfriend and faith in her guru in the space of 24 hours. Unable to tell her parents what has happened, she puts on a suit every day and pretends to go to work.What she’s really doing is escaping to a studio, where she begins to paint for the first time in years. But when her work is spotted by a top gallery owner, she cannot admit she is the painter, and pretends to be the agent instead. Meanwhile at home, she’s agreed to an arranged marriage to keep the peace. There are too many layers of pretence and something has to give way – but at what cost to Nina?This novel is based on the author’s own experience of self-publishing her first novel. To lend it credibilty, she invented Pru, a pushy publicist. Pru went on to be shortlisted for the PPC Publicist of the Year Award, but her cover was blown – it was Preethi all along.

A historical novel set in Tuscany in the 18th century, during the enlightened government of Pietro Leopoldo of Hapsburg Lorraine. Autobiographical memories of the Grand Duchess Maria Luisa, his wife and confidante.“Vienna 1792. Maria Ludovica of Bourbon, the Spanish Infanta, for many years Grand Duchess of Tuscany and now Empress of the Holy Roman Empire, watches impotently the sudden death of her beloved consort, Pietro Leopoldo of Hapsburg, and from that moment begins almost frenetically to rekindle, one after the other, her innumerable memories of a life, still short, but intensely lived, beside the man who, since their first meeting had fascinated and conquered her, and to whom she had been a discrete and faithful companion. Public facts are weaved together with private feelings, with joys and suffering, in a sequence of urgent events. The Empress unconsciously knows, has always known, that she cannot survive for long (Editor’s note: she will in fact die just two months later) after the death of her husband and therefore must hurry to organise her memories, to finally manage to give an answer to the most important question for her: what did she really mean to him? Only a political and dynastic link, the mother of his children, friend and confidante or the woman he loved notwithstanding everything?”