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From the No. 1 bestselling author of THE AMERICAN BOY comes a brilliant new historical thriller set during the French Revolution. Selected as Historical Novel of the Year by The Times and Sunday Times, and picked as one of Radio 4’s Crime Books of the Year.Paris, 1792. The city is gripped by revolution and the gutters run with blood as thousands lose their heads to the guillotine.Edward Savill, a London merchant, receives word that his estranged wife has been killed in France. Her ten-year-old son, Charles, has been taken by émigré refugees to Charnwood Court, deep in the English countryside.Savill is sent to fetch Charles, only to discover the child is mute. The boy has witnessed unimaginable horrors, but a terrible secret keeps him from saying a word. Locked in a prison of his own mind, his silence is the only thing that will keep him safe.Or so he thinks …

Agatha Christie, Dorothy L. Sayers, G.K. Chesterton and nine other writers from the legendary Detection Club collaborate in this fiendishly clever but forgotten crime novel first published 80 years ago.Inspector Rudge does not encounter many cases of murder in the sleepy seaside town of Whynmouth. But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye – even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it…In 1931, Agatha Christie, Dorothy L. Sayers and ten other crime writers from the newly-formed ‘Detection Club’ collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, each of the authors provided their own solution in a sealed envelope, all of which appeared at the end of the book, with Agatha Christie’s ingenious conclusion acknowledged at the time to be ‘enough to make the book worth buying on its own’.The authors of this novel are: G. K. Chesterton, Canon Victor Whitechurch, G. D. H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.

Two historical thrillers from the award-winning and bestselling Andrew Taylor. ‘Taylor wrote superb historical fiction long before Hilary Mantel was popular’ Daily TelegraphTHE AMERICAN BOY: England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the child’s sensitive best friend, Charles Frant. Helplessly drawn to Frant’s beautiful, unhappy mother, Thomas becomes entwined in their family’s affairs.When a brutal murder takes place in London’s seedy backstreets, it is not certain who either the victim or the killer is. But all clues seem to lead back to the Frant household, and Shield is tangled in a web of lies, money, sex and death that threatens to tear his new life apart.And what of the strange American boy at the heart of these macabre events – what is the dark secret of young Edgar Allan Poe?THE SCENT OF DEATH: August, 1778. British-controlled Manhattan is a melting pot of soldiers, traitors and refugees, surrounded by rebel forces as the American War of Independence rages on.Into this simmering tension sails Edward Savill, a London clerk tasked with assessing the claims of loyalists who have lost out during the war.Savill lodges with the ageing Judge Wintour, his ailing wife, and their enigmatic daughter-in-law Arabella. However, as Savill soon learns, what the Wintours have lost in wealth, they have gained in secrets.The murder of a gentleman in the slums pulls Savill into the city’s underbelly. But when life is so cheap, why does one death matter? Because making a nation is a lucrative business, and some people cannot afford to miss out, whatever the price…