Книги, похожие на «Harriet Evans, Not Without You»

Emergency charge nurse Tessa Hardy is stunned to discover Max Slater is moving to England – without his fiancée!Tess is secretly in love with Max, and his decision has turned her world upside down.Tess knows she can't admit her feelings; it's all too complicated. But when a daring rescue operation endangers her life, Max stuns Tess by passionately kissing her better!With the clock ticking until Max leaves Melbourne, Tess knows they haven't got a future – unless this elusive physician is ready to be tamed.

A captivating tale of forbidden passion and wartime friendship from the bestselling author of THE WILLOW POOL and ONE SUMMER AT DEER’S LEAP.It's 1940 and the threat of invasion hangs over Britain. But in the isolated hamlet of Nun Ainsty it is the arrival of the Army that turns things turned upside down – especially for two young women.Lorna Hatherwood, married to a man ten years older, lives a quiet life. Then she volunteers to read to blind soldiers at the nearby Manor and everything changes – because of a handsome medical officer named Ewan MacMillan. But their relationship could spell disaster…Then there is Ness Nightingale. A Land Girl billeted with Lorna, Ness is trying to forget a disastrous love affair. But when she meets Mick Hardie, a conscientious objector, she has to remind herself that she has vowed never to trust a man again …

The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.