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Diego Maenza
Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness. Over the course of a year, I undertook the task of working with twenty cartoons that stimulated my imagination. I pretended to reverse the traditional process of illustrating texts. I ”texted” the illustrations daily. Like ”action painting”, I could have called it ”literature in action”, but it would have been to distort the nature of the project, which was a work in progress, a dynamic entity, an evolving process, a writing on the go, a progressive writing. I never had a predetermined plan and the categorization was later, but the invocations of the four classic elements influenced underground in the structure of the work.The initial objective was to take the characters in a comical way, but they had a lot to tell me. It was the characters who whispered the words to me. They always had a life of their own and I couldn't dominate them anymore. All the poems, stories and monologues, in a way concatenated, retain a global vision although at first glance they appear as disconnected flashes in an exhibition of fireworks. This book aims to be a celebration of humor and irony, but at the same time it aspires to become a rare invitation to reflection and strangeness.
Erica Spindler
Twenty-three years ago Anna North survived a living nightmare.A madman kidnapped her, cut off her pinkie, then vanished. Today Anna lives in New Orleans, writing dark thrillers under another name. She finally feels safe. Suddenly Anna's quiet life takes a frightening turn. Letters start to arrive from a disturbed fan. Anna is followed, her apartment broken into. Then a close friend disappears.Anna turns to homicide detective Quentin Malone, but Malone's more concerned with the recent murders of two women in the French Quarter. But after a third victim is found—a redhead like Anna, her pinkie severed—Malone is forced to acknowledge that Anna is his link to the killer. . . and could be the next target. Now Anna must face the horrifying truth—her past has caught up with her. The nightmare has begun again.
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