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Betrayed by his club but beloved by the fans, former Chelsea manager Claudio Ranieri was a constant headline-maker in 2004. Occasionally puzzling, often eccentric, but always fascinating and refreshing, the Italian describes the highs and lows of an extraordinary season at Stamford Bridge – and the dramatic end to his English journey.‘Hello, my sharks. Welcome to the funeral.’‘People have said I am a dead man walking – but I am still moving!’‘Tonight I am a crazy man and Roman Abramovich is also going mad like me!’We rejoiced with him. We laughed with him. And we cried with him. In what turned out to be a year for the Blues resembling more a soap opera than a season of football, Claudio Ranieri reveals the highlights and the hurt of his farewell twelve months in England.This collaboration between Italian journalist Massimo Marianella and Ranieri promises to reveal the inside story of a rollercoaster year at Stamford Bridge, with a first-hand account of coaching the most expensively assembled team in the Premiership, alongside the increasing pressures of satisfying his bosses as Chelsea’s season threatened to turn into anticlimax.How did Ranieri keep all his players contented, when the value of his subs bench often exceeded that of most Premiership teams? What were the skills required to mould a group of exciting individuals into a team capable of challenging the likes of Arsenal and Manchester United at the top of the tree?With the media suggesting an uneasy alliance between Ranieri and Roman Abramovich, what was it that drove their complex relationship? What was the real truth behind the allegations that Ranieri’s position was being undermined by his bosses? And when did the ‘Tinkerman’ discover his final denouement?Just some of the questions that will be answered in this book by arguably the most talked-about man in English football in 2004.
The candid and heartbreakingly honest memoir of Sylvia Kristel, the cinema icon of the 1970s who played the lead role in the worldwide sensation erotic Emmanuelle films.1974: After a year of wrangling with the censors, the erotic film, Emmanuelle, is a blockbuster sensation on release in France and a box office triumph around the world from Japan to the States. The image that adorned cinemas across the world was of an unknown 20 year old posing naked, innocent and vulnerable on a wicker chair. Overnight Sylvia Kristel was propelled into international superstardom (at the height of her fame she was invited to address the Brazilian parliament) and turned into an icon of sexual liberation.Sylvia Kristel was born of a dysfunctional family and an impossibly strict religious education. But having won the Miss TV Europe competition in 1973 she was driven by her own ambition to be an actress on the world stage and auditioned for the part of the innocent seductress in Emmanuelle. Through the phenomenal success of the three Emmanuelle films she starred in, she became the darling of Hollywood, as she seduced and was seduced by the rich and the beautiful of the golden age of cinema. But she found herself typecast as Emmanuelle and often played roles that capitalized upon that image, most notably starring in an adaptation of ‘Lady Chatterly's Lover’, and a nudity-filled biopic of World War I spy, Mata Hari, in which she played the title role. Almost inevitably she became the victim of her own innocence as it was Emmanuelle people wanted, not Sylvia. The price that she paid for her meteoric rise was an equally rapid descent into an excess of alcohol and drugs as her tempestuous family life threatened to fall apart all together.Naked, candid and heart-breakingly honest, ‘Undressing Emmanuelle’ tells the story of one of Europe's most celebrated cinema icons and the price she paid for her beauty and innocence.
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