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Sarah K
If you loved Fifty Shades of Grey¸ you’ll LUST after this true story of dominance, submission, lust and temptation.Sarah K is like any normal woman. She lives in a quiet suburban town. She has a couple of kids; a steady job as a writer. But behind the bedroom door she enters a different world – a world sexual power play and erotic control. For Sarah K is a submissive, and she willingly surrenders her body to the passions of a dominant lover.Still reeling after ending things with her first dom, Max, Sarah finds herself unable to move on. As Max had warned, once you’ve tasted the forbidden fruits of dominance and submission, you can’t go back. So when Sarah meets Alex – a tall, handsome man who shares her erotic desires – she finds herself cast under the dark spell of pleasure and pain once more.As they explore one another, like an addiction, Sarah begins to crave Alex – his touch, his breath, his smell. Shocked at the emotions he has awakened within her, Sarah tells herself this is just lust. She had learnt the hard way that falling in love is one line that can’t be crossed.So why does it feel so wrong when Max re-enters her life, determined to possess her once more? Should she admit her true feelings for Alex, and potentially expose herself to the worst pain of all – heartbreak?Hotter than fiction, this intoxicating and explosive true story will set your pulse racing as Sarah K strips away the mask to reveal what it’s really like to be a sexual submissive.
Дорис Лессинг
The second volume of Doris Lessing’s ‘Collected African Stories’, and a classic work from the winner of the Nobel Prize for Literature.‘As for these stories – when I write one, it is as if I open a gate into a landscape which is always there. Time has nothing to do with it. A certain kind of pulse starts beating, and I recognise it: it is time I wrote another story from that landscape, external and internal at the same time, which was once the Old Chief’s Country.’ Doris Lessing, from the PrefaceThis much-acclaimed collection of stories vividly evokes both the grandeur of Africa and the glare of its sun and the wide open space, as well as the great, irresolvable tensions between whites and blacks. Tales of poor white farmers and their lonely wives, of storm air thick with locusts, of ants and pomegranate trees, black servants and the year of hunger in a native village – all combine to present a powerful image of a continent which seems incorruptible in spite of all the people who plough, mine and plunder it to make their living. In Doris Lessing’s own words, ‘Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.’
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