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Like an archaeological dig, The Roth Trilogy strips away the past to reveal the menace lurking in the present: ‘Taylor has established a sound reputation for writing tense, clammy novels that perceptively penetrate the human psyche’ – Marcel Berlins, The TimesThe shadow of past evil hangs over the present in Andrew Taylor's Roth Trilogy as he skilfully traces the influences that have come to shape the mind of a psychopath.Beginning, in The Four Last Things, with the abduction of little Lucy Appleyard and a grisly discovery in a London graveyard, the layers of the past are gradually peeled away through The Judgement of Strangers and The Office of the Dead to unearth the dark and twisted roots of a very immediate horror that threatens to explode the serenity of Rosington's peaceful Cathedral Close.

The closest millinerNell Latham has come to high society is making fashionable bonnets for alderman’s wives. But when she delivers a message to Earl of Narborough, she’s soon swept up in a web of intrigue and scandal.Marcus, the Earl’s son and heir, tracks down the messenger who has caused so much trouble for his family. . . but he doesn’t expect to find the waif so attractive.