Книги, похожие на «Janice Johnson Kay, Through the Sheriff's Eyes»

Welcome to Tilly Bagshawe’s Swell Valley, where the scandal is in a class of its own.Tatiana Flint-Hamilton’s gilded cage is torn away when her estranged father dies. As the beloved family estate slips through Tati’s fingers, the portraits of her ancestors look down disapprovingly.The new Lord of the Manor is just as ruthless as Tati. The old-world status of Furlings is everything the wealthy, self-made Brett Cranley has ever wanted. Luckily his wife Angela is the perfect homemaker, happy to fall into line with whatever Brett desires. Along with her two children, Furlings soon becomes Angela’s lifeline, a place she can finally belong. And one she’s not going to give up easily.Losing everything has made Tati realise that her rightful inheritance is all that she now lives for… and she will do anything to get it back.But the fate of Furlings lies in the hands of the villagers.Let the Fittlescombe fireworks begin!

They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.