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Karma Brown
Lucy is about to discover everything she believes to be true about her life…isn’t.After hitting her head, Lucy Sparks awakens in the hospital to a shocking revelation: the man she’s known and loved for years—the man she recently married—is not actually her husband. In fact, they broke up four years earlier and haven’t spoken since.The happily-ever-after she remembers in vivid detail is what her doctors call a false memory: recollections Lucy’s mind made up to fill in the blanks from the coma.Now she has no idea which memories she can trust and she must make a difficult choice about which life she wants to lead, and who she really is.Readers love Karma Brown:“I couldn't put down The Life Lucy Knew, I HAD to know how the story was going to unfold.”“With the Life Lucy Knew, Karma Brown has created a new fan in me.”“This is the most incredibly written book.”“This is a FANTASTIC book!”“an engaging novel with unusual but fascinating storyline”“different, suspenseful, and very well written”
Carol Clewlow
Witty and highly entertaining take on being single. Perfect for fans of Trisha Ashley. From the author of A Woman’s Guide to Adultery.Riley Gordon has no issues, no life crises and is happily enjoying the single life. But her persistent single status seems to be cause for much unwelcome discussion and everybody, including her own mother, feels the need to give her the benefit of their advice.Why can’t they just mind their own business? And what, exactly, is wrong with being footloose and fancy free into your forties?Carol Clewlow, author of A Woman's Guide to Adultery, has written a wonderfully refreshing, witty novel. Riley is a character all of us would like to have in our lives.
Diego Maenza
EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.
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