Книги, похожие на «Jane Dunn, Elizabeth and Mary: Cousins, Rivals, Queens»

A rich historical biography of ‘those wicked wicked Wyndhams’ – three beautiful, cultured aristocratic sisters born into immense wealth in late Victorian Britain.Mary, Madeline and Pamela – the three Wyndham sisters – were raised surrounded by the work of the Pre-Raphaelites, in a family famed for its bohemian closeness. The liberal upbringing of these handsome, intelligent daughters of a maverick politician and an artistic but emotionally unstable mother prompted one family to forbid their offspring ever to play with ‘those wild Wyndham children’.In adulthood, the sisters became intimate with ‘the Souls’, an intellectual and flirtatious aristocratic set, whose permissive beliefs scandalised society. Eldest and youngest sister became the objects of press fascination as the confidantes of great statesman – Mary of Prime Minister Arthur Balfour; Pamela of the Liberal politician Edward Grey. Madeline had the only happy marriage of the three.Their lives were intertwined with some of the most celebrated and scandalous figures of the day: Oscar Wilde, who fell in love with their cousin Bosie Douglas; Marie Stopes, to whom Pamela became patron; and the iconoclast poet Wilfrid Scawen Blunt, lover both of Mary and her mother before her. Their lives would be irrevocably devastated by the horrors of the First World War.In their first ever biography, Claudia Renton, drawing on a rich archive of letters, charts these women’s intimate stories in their own voices, from romantic beginnings through the passions and disappointments of womanhood to the tragedy that brought a definitive end to their era, against the backdrop of the political and social events that shaped their age. Those Wild Wyndhams is an unforgettable historical biography that captures the high drama of this grand family against the political and social events that shaped their age.

The Argentine folk singer and social activist, Mercedes Sosa, was a world-class performer, whose influence went far beyond the borders of music. Blacklisted as being one the most dangerous people to the regime in Argentina in the 1970s, she became the underground reference point for the poor and oppressed, and an icon of democracy who fought South America’s dictators with her voice. Nicknamed, “The Voice of the Voiceless,” Sosa emerged as a legend and a much-loved mother of Latin America. With her powerful voice and compelling stage presence, the Argentine folk singer, Mercedes Sosa, was a world-class performer, whose influence went far beyond the borders of music. Blacklisted as being one the most dangerous people to the regime in Argentina in the 1970s, she became the underground reference point for the poor and oppressed, and an icon of democracy who fought South America’s dictators with her voice. Alongside her lifelong career, which earned her four Grammy Awards, Sosa also worked as Goodwill Ambassador for the children in Latin America and in the Caribbean, and was granted the prestigious position of Vice President of the Earth Council. Nicknamed, “The Voice of the Voiceless,” Sosa emerged as a legend and a much-loved mother of Latin America. Although Mercedes Sosa was one of the most recognized artists in international music, and collaborated with musicians ranging from Luciano Pavarotti, Sting and Joan Baez, she remained an unsung hero outside of Latin America. However, now ten years after her death, Sosa’s legacy continues to shine. Her example of integrity and solidarity lives on and make her a role model who points out the path to a more emphatic and compassionate world. But how did a girl raised in a poor Indian working class family gain such influence? Mercedes Sosa – More than a Song explores the secret behind Sosa’s remarkable impact and reveals how her upbringing, political circumstances and personal tragedies formed her life and her career. Now, ten years after her death, Sosa’s legacy continues to shine. Her example of integrity and solidarity lives on and make her a role model who points out the path to a more emphatic and compassionate world. Her story calls out for the best in all of us. You are about to meet a woman who will inspire you by her courage and authenticity.

An intensely moving account of George III’s doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer.George III came to the throne in 1760 as a man with a mission. He wanted to be a new kind of king, one whose power was rooted in the affection and approval of his people. And he was determined to revolutionise his private life too – to show that a better man would, inevitably, make a better ruler. Above all he was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian forbears. For his family, things would be different.And for a long time it seemed as if, against all the odds, his great family experiment was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they did everything they could to raise their tribe of 13 young sons and daughters in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. The king's episodes of madness, in which he frequently expressed his repulsion for the queen, undermined the bedrock of their marriage; his disapproving distance from the bored and purposeless princes alienated them; and his determination to keep the princesses at home, protected from the potential horrors of the continental marriage market, left them lonely, bitter and resentful at their loveless, single state.At one level, ‘The Strangest Family’ is the story of how the best intentions can produce unhappy consequences. But the lives of the women in George's life – and of the princesses in particular – were shaped by a kind of undaunted emotional resilience that most modern women will recognise. However flawed George's great family experiment may have been, in the value the princesses placed on the ideals of domestic happiness, they were truly their father's daughters.