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A big, intensely involving and evocative Indian novel, with its story of a woman’s fight for her place in the world, reminiscent of Khaled Hosseini’s ‘A Thousand Splendid Suns’.The dew hasn't formally evaporated off the mustard leaves outside. Except for the sleeping baby, she is alone at home. Her mother gave her this much. As an excuse Lata Bai left Shanti behind for Mamta to look after. She has an hour before her mother will return from the well.Mamta runs her hand over her wedding sari. For a minute she considers why it is already lying unwrapped, in precise folds gleaming like a treasure in her mother's tin trunk, then she remembers her mother had used the wrapping to deliver Shanti. She picks up a corner and looks through the sheerness of the fabric. Everything turns red, the red of love. Mamta smiles. It is as it should be. «Keep my world red, oh Devi,» she prays. «Jai ho Devi, Devi Jai ho,» she recites her mother's words. Almost a married woman, she feels she has an equal right to them.’Mamta is one of seven children and learns early on in her childhood what it means to be born female in rural India. Married to a savagely unkind and brutal husband, she flees to the city to try and make a new life for herself. Sharing her story are her mother, Lata Bai, the saintly Lokend, her ever-loving brother Prem, a soul-searching bandit and a brutal landlord. This is a redemptive story, despite the often unforgiving setting, and one that is difficult to put down.
A passionate tale, woven from personal stories of heroic betrayal and love, The Naqib’s Daughter is based on historical characters, and set during Napoleon’s campaign in Egypt.Lady Nafisa, aristocrat, philanthropist and wife of Mamluke leader Murad Bey wakes one morning to find her worst fears confirmed. Cairo is under threat from the French, whose mission is to liberate the most ancient civilisation in the world from what they see as superstition and darkness.For Nafisa it means that her husband will go to war and she will be widowed a second time. She will have a new role as an intermediary with the French and as a refuge for vulnerable civilians form both sides.For fourteen year-old Zeinab, daughter of a respected Naqib, it is the end of her childhood. To save her family she is married to Napoleon. Life in the French court in Egypt is a game to her, one with many pleasures, including the love of one of Napoleon's trusted entourage. When the occupation fails, and the French begin to withdraw, only Nafisa can protect her from the wrath of the mob.Elfi Bey, the ambitious new Mamluke leader who is also in love with Lady Nafisa, has to risk being an outcast, for the land he so dearly loves, and loosing all the wealth and status he has worked for because he fears the only way to save Egypt from the occupiers is to seek support from the court of King George III.Samia Serageldin brings to life the vanished world of the exotic Mamluke warrior-slaves and so doing, explores the complex, often dangerous relationship between occupier and occupied. The Naqib's Daughter reveals the high price paid by Egyptians for their occupation.
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