Книги, похожие на «Aldivan Teixeira Torres, I Am»

Two years ago, geologist Corinthians Avery had brazenly sneaked into a hotel room to seduce Dex Madaris, head of Madaris Explorations and the longtime object of her affection. But the man who emerged from the shower to find Corinthians clad in next to nothing was handsome foreman Trevor Grant.When a smug Trevor informed her that Dex was not only absent from the trip, but at home happily married, Corinthians was mortified.Now, stuck in South America on a business trip with Trevor, Corinthians tries to avoid him at all costs. If only his broad shoulders and wickedly sexy smile didn't send her senses into flames. Their hotel falls under terrorist attack, and Corinthians has no choice but to place her trust in Trevor. As the two make a daring escape into the war-torn streets, fear for their lives suddenly turns to feverish desire, as they both give in to the hottest danger of all. What neither of them realizes is that one sultry night of passion under the luminous Latin skies will change their lives forever….

EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.