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Marnie Price’s guide to surviving the bridesmaid blues…1. Get a new man2. Find a new job3. When in doubt, drink wine!Having watched her three closest friends all find love, Southern belle Marnie Price feels as if she’s the only single girl left. Luckily she’s found a solution – one sizzling night with Dylan Brookes.This man wears a wedding tux better than anyone, but all Marnie wants to do is get beneath it!Dylan is all about making the sensible choice, and a fling with his ex’s friend Marnie is about as far from sensible as he can get! Marnie might prove to him that taking risks is worth it, but that doesn’t mean he’s ready to give up his bachelor status quite yet, does it… ?Don’t miss the linked stories in The Wedding Season quartet – Available in MODERN TEMPTED™!
Perfect for fans of Maeve Binchy' – CandisRaise a glass and toast the Manning family wedding! For a small fee, fifteen-year-old Carrie Weston wants Jason Manning to take her mother out on a date. A confirmed bachelor, Jason’s having none of it and neither it seems is Charlotte, Carrie’s mum, who’s mortified… Her resistance, however, suddenly makes it more of a challenge, one that Jason can’t resist…With a broken engagement to one of the Manning sisters behind him, James Wilkens heads for some Vegas sun…there he meets Summer Lawton. She’s on the rebound from a painful betrayal and James bets her that in a year she’ll be over it. To prove his point, he makes a date – same time next year – what will happen when they meet again?Make time for friends. Make time for Debbie Macomber.
They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.
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