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From one of the brightest young chroniclers of US culture comes this dazzling collection of essays on the internet, the self, feminism and politicsWe are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape.From the rise of the internet to her own appearance on an early reality TV show; from her experiences of ecstasy – both religious and chemical – to her uneasy engagement with our culture’s endless drive towards ‘self-optimisation’; from the phenomenon of the successful American scammer to her generation’s obsession with extravagant weddings, Jia Tolentino writes with style, humour and a fierce clarity about these strangest of times.Following in the footsteps of American luminaries such as Susan Sontag, Joan Didion and Rebecca Solnit, yet with a voice and vision all her own, Jia Tolentino writes with a rare gift for elucidating nuance and complexity, coupled with a disarming warmth. This debut collection of her essays announces her exactly the sort of voice we need to hear from right now – and for many years to come.
A magical mixture of East meets West, mothers in conflict with daughters, and the healing power of food.‘I cannot easily put into words why I told my children their father had died. What was I supposed to tell them? The truth? ‘’Monu, Mol, your father has had enough of responsibility, he has another family, he’s gone, left us.’’ Maybe there are one hundred shades for explaining truth, a spectrum from light to dark, depending on the vulnerability of those who have to hear it. Things are not always clear cut, they are not either black or white, life just isn’t like that.’Nalini and her two young children are transplanted from luxury in India to the bewildering confusion of London, only to be abandoned by her negligent husband. At first survival is a struggle, but Nalini turns to what she does best: cooking. Her mouthwatering pickles bring financial stability and domestic happiness, as well as affecting everyone who tastes them.Everyone, that is, except for her daughter, Maya. Maya loves fish fingers, burgers and chips. She’s not interested in her history; that died with her father. Resisting the pull of her family, she follows her own chaotic journey which will take her back to India before she can face the truth about her parents, forgive them and herself – and admit that lime pickle is delicious, after all.
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