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Tara Pammi
Notorious socialite in over her head?Olivia Stanton’s name has been synonymous with scandal – her every bad choice is scrutinised in the headlines – but she’s finally getting herself together. That is until her twin sister disappears right before her wedding and Olivia’s needed to stand in – as the bride! Alexander King’s ruthless determination for perfection is world renowned, and he’ll make Olivia pay for her latest stunt – by enforcing their marriage vows!He expects her to be the model wife in public. And in private… ? With her feisty attitude and his strong will it won’t be long before the tension between them reaches boiling point!'Wonderful read, full of drama and sizzling with tension from page one. ’ – Jennie, 50, West Yorkshire
James Axler
Raw courage and knowledge of the arcane secrets of preDark technology have enabled Ryan Cawdor and his warrior companions to live and roam a land tortured–but not destroyed–by apocalyptic madness. In a world where the price of living is paid in fl esh and blood, nothing is ever free, not even death.In Deathlands, power brings more power to those able to command it by means fair or foul. Yet few among the most tyrannical barons can rival the ruthlessness of Sandra Tregart, whose despotic visions are being realized by resurrected technology: air power. With her restored biplane, she delivers death from the skies to all who defy her supremacy–a virulent ambition that challenges Ryan Cawdor and his band in unfathomable new ways.
Kate O’Riordan
An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships
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